Peer Reviewed Articles
“Visualizing the Widow Self: Politics, Agency, and Androgyny in Lady Anne Clifford’s Great Picture.” Clio: a Journal of Literature, History, and the Philosophy of History 48, no. 1. 2020.
“‘A veil of obscure mourning’: Widowhood Dress and Political Authority in Margaret Cavendish’s Bell in Campo and True Relation.” Early Modern Women: An Interdisciplinary Journal 51, no. 2. 2021.
“Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson,” English Literary Renaissance. Special issue, ed. Julie Crawford. Forthcoming, 2023.
Other Scholarly Writing
“Women and Fashion in Print,” ed. Katherine Acheson, The Palgrave Encyclopedia of Early Modern Women’s Writing, general editors Patricia Pender and Rosalind Smith. (London: Palgrave, under review).
“‘A Serving-Man to become a Queen’: Digitized Woodcuts and the Gender/Class Slide in ‘The Famous Flower of Serving-Men.’” Early Modern Criticism and Politics in a Time of Crisis, ed. Patricia Palmer and David Baker Santa Barbara: EMC Imprint. Forthcoming 2020.
“Anne Clifford.” Coauthored with Megan Matchinske. In Oxford Bibliographies (obo), “Renaissance and Reformation,” (Oxford: Oxford University Press, 2020).
“Dangerous Conjectures’: Ophelia’s Ballad Performance.” Coauthored with David J. Baker, Travis Alexander, Adam Engel, Mary Learner, and Ashley Werlinich. Ballads and Performance: The Multi-Modal Stage in Early Modern England, ed. Patricia Fumerton (Santa Barbara: EMC Imprint, 2018).